Friday, May 20, 2016
:: Trailers: Don't Breathe, from the maker of the terrible Evil Dead remake, looks kind of crazy. I very much want to see The Red Turtle, the Ghibli co-production directed by Michael Dudok De Wit. The new Ghostbusters trailer (and international version) are frankly better than Ghostbusters II. I'm really looking forward to Personal Shopper, the re-teaming of Kristen Stewart and writer-director Olivier Assayas, who made the best film of 2014, The Clouds of Sils Maria. (Yeah, it got booed at Cannes. So did L'Avventura.) Popstar: Never Stop Never Stopping looks funny to me; it looks like a feature-length Bieber parody, but I love the Lonely Island guys. And lastly a new Teenage Mutant Ninja Turtles: Out of the Shadows trailer where you can see some Krang action. I hope this one is at least fun.
:: A supercut of Matthew McConaughey's weird noises.
:: The Many Myths of Making Star Wars, Busted
:: Rob Zombie debunks his Wikipedia page.
:: We Knew Her Value: Why Peggy Carter Will Be Dearly Missed
:: Game of Thrones' Tower of Joy Scene Is Vastly Improved With the Music of Ennio Morricone
:: The Muppet Mindset is still my favorite Muppet fansite; Jarrod Fairclough has some thoughts I echo on the cancellation of The Muppets.
Thursday, May 19, 2016
A review of the films I've seen this week.
SEX KITTENS GO TO COLLEGE (1960)
Mamie Van Doren as a professor with multiple degrees, a keen mind and a photographic memory who speaks 18 languages, but gosh darn it, needs to learn that there's just no place in the faculty for a body like that. So, yeah, that kind of "tee hee charming" misogyny that these kinds of B pictures excel at. Lots of elements--sexy co-eds, guys in their forties playing star university sportsmen, a smoking chimpanzee who uses a typewriter, Brigitte Bardot's sister, an honest-to-goodness robot from the World's Fair, "funny" gangsters, a lounge, hypnotism, rockabilly, Jackie Coogan--in search of being used well or at least in a way that's remotely fun. Tedious, but Mamie's beautiful. Not enough to make up for the tedium, but... well, it ends, eventually. *1/2
Light and fluffy, but charming and delightful prequel to Despicable Me. It's basically an origin for the Minions, appearing at the dawn of the Earth and settling into 1968 London when they think they've found the perfect villain to serve. (Excellent soundtrack.) I dug it. ***1/2
I have no experience with the books or the TV show (probably because I was in high school when both appeared; I did work in a bookstore when they were at the height of their popularity, though, which was occasionally aggravating), but I found the movie very cute. The new kid in town wants to go to the high school dance with the neighbor girl, but her father (Jack Black) wants her to stay away. The father, it turns out, is Goosebumps author RL Stine, and on the night of the dance, all of his creations come to life and terrorize the town. Cute premise, and I enjoyed the movie; it has the silly energy of movies like The Monster Squad or Gremlins or Jumanji. I found Black's very arch performance funny; he's playing Stine as though he's John Carradine. ***
A docudrama about the confirmation hearings that put Clarence Thomas on the Supreme Court. Kerry Washington plays Professor Anita Hill, the woman who accused Thomas of past sexual harassment and was vilified in the press. I remember it all happening; it was sort of an eye-opener for me (I was 15 and still being taught about the sanctity of the US government in school). That was a weird time to be a teenager, because of the first explosion of political correctness as both real concern and idiotic punchline. Coming of age in a time of Camille Paglia, Bill Clinton, and OJ Simpson was really, really bizarre. I can't speak to the accuracy of the movie (online opinions vary wildly, depending on your political leanings), but Clarence Thomas is pretty awful, George Bush was a garbage president, and most of the senators involved in the confirmation hearings have really never stopped being scummy or ineffectual. I think the movie raises an important point about how the establishment will protect its own just to save face, and how often we seem to value shaping the narratives of others to fit our own. There's a lot being said here about the way black women are silenced in America that's important. Kerry Washington and Jeffrey Wright are both very good, but it can be an at-times frustrating movie to watch. It doesn't help that I'm already so damn disillusioned with the government because of these primaries... ***1/2
Monday, May 16, 2016
Well, as I mentioned on Friday, The Muppets got canceled and I'm not really that surprised. One of the things I've come over the decades to accept as a Muppets fan is that the Muppets are something of a niche interest. The world isn't exploding with Muppet fans, really, and there's a lot of complaining from the general public that comes with anything... well, anything that isn't The Muppet Show, really. All of those 90s kids that grew up loving Muppet Treasure Island because they had the VHS don't even realize how unpopular that movie was when it originally came out. I remember reviews suggesting the Muppets should just pack it in forever. I have a friend who watched people walk out of that movie with their kids.
I don't know, I liked the sitcom. Yeah, it was different. They tried to explore the characters in a long-term way that they hadn't really before, and people didn't react well. People want the Muppets to never change, yet somehow also stay relevant. I thought it was interesting the way the show took Kermit back to being the more multifaceted character he was on The Muppet Show (easily exasperated, with a bit of a temper, caught in the position of trying to make things run smoothly and maybe too concerned with keeping the peace to really relax), and people seemed to really hate that. Personally, I like it when the Muppets are allowed to be actual characters rather than the Repositories of All Our Joys.
Today is the 26th anniversary of Jim Henson's death. A lot of key creative people from The Muppet Show have died or moved on. It's not gonna be the same, folks.
Was The Muppets always funny? Not really. It was rough in the first few episodes. I think the last six or seven episodes saw things really clicking into place. There were a lot of creative folks there, and the characters were starting to take good turns, and it gave us a wonderful role for Uncle Deadly and, it gave us (in my opinion, anyway) one great new character in Chip from IT. I'll miss the show, but I got 16 episodes of a new Muppet show, and that's something good. I can't wait to buy it on Blu-Ray.
And I'm not mad. I think there were some people--as there always are--who decided they hated it after the first act of the first episode and spent a lot of time complaining about. And, as always, there were a lot of people who just wanted The Muppet Show and were angry not to get that. But, obviously, there were a lot of people that just didn't dig it. The ratings weren't great, it was expensive, etc. I kind of went in knowing that we'd be lucky to get all the way to the end of the first season. But it was one of my favorite things this TV season. And I'm glad to have had it. I'm not bitter at anyone.
Well... probably ABC.
ABC really needs to make it up to me between canceling The Muppets and Agent Carter... That just stings, you bastards.
Anyway, here's a clip of Miss Piggy and Kermit singing the John Prine song "In Spite of Ourselves" on Episode 11, "Swine Song." I can't wait to see what the Muppets have in store next. If anything, because Disney has no idea.
Sunday, May 15, 2016
I'm feeling really peaceful this morning. So many kids moved out this week and graduated yesterday, so it's a quiet day. We got a frost last night and it's just been cold and damp--seriously, 31 degrees in mid-May?--and there's been flooding, but today it's just sunny and cool and my flowers survived and the birds and squirrels and bumblebees keep coming up to hang out, drink the rainwater collected by the flower pots, pollinate the flowers, or nibble at the bread we leave for them. Sunday mornings can be so nice. The coffee's ready and I slept through the whole night for once. So here's the kind of tone poem that I like when my consciousness is really copacetic. Composed mainly by Brian Eno, from David Bowie's 1977 classic Low.